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Hello All! SM> I was playing at the Open in Manchester with the Sun Life SM> Band. The result of your band (17th) was a bit disappointing I guess? I admire Sun Life because of their constant quality playing, and I think the Compact Disc with music of Derek Bourgeois is the best release of your band, I like it. SM> I thought Revelation was 'interesting'. I enjoyed the SM> challange of standing up at SM> a major contest, but didn't enjoy the piece ( apart from the SM> middle movement SM> with the euphonium duet ). Listening to Black Dyke's winning SM> performance on SM> the radio hasn't changed my opinion. I should stress SM> however, that this is my SM> own view - not that of the Sun Life Band ! Unfortunately I was not in Manchester, but I am happy that I got a tape of the winning performance of Black Dyke from one of the users of this list (Thanks to Dave Beal!!!). My first reaction on the piece "Revelation" was "much notes, little music", but after some more listening I start to enjoy the piece. In my opinion the best pieces are those wich only become interesting after some time. There are some pieces wich intigreus me over years, for example: Odin from the Land of Fire and Ice - Arthur Butterworth The Beacons - Ray Steadman Allen Partita + Contest Music - Wilfred Heaton Dances and Areas - Edward Gregson Blitz + Diversion - Derek Bourgeois Cloudcatcher Fells + Images - John McCabe Some pieces of which I think they are great, but which lose my interest after some time: English Heritage + Diversion on a Bass Theme + Royal Parkes + Kings Messenger - George Lloyd Year of the Dragon + Harmony Music + Cambridge Variations - Philip Sparke Essence of Time + Montage - Peter Graham Paganini Variations - Philip Wilby Resurgam + Journey into Freedom + The Undaunted - Eric Ball Sounds - John Golland The Devil and the Deep Blue Sea + The Forest of Dean - Derek Bourgeois Salamander - John McCabe Spectrum + Variations on a Ninth - Gilbert Vinter Connotations + Of Men and Mountains - Edward Gregson Pageantry - Herbert Howells etcetera.... What a list of testpieces which are really good (in my opinion)! No, I am also not charmed by Revelation at this moment, but do not judge about a piece until you heard it over a long period. Taste changes over the years. I wonder if this is the same as with Songs for B.L., I almost cannot wait. Perhaps was the performance by Black Dyke Mills not the best one, I heard that Faireys performance was the best! I do not like the playing of the soloists of Black Dyke in this performance (nervous tenor horn + flugel horn!!?). I also do not like the playing of Robert Childs (too harsh sounds, some "Jurassic Park sounds"). But the beginning and the end were very impressive (with the power of Kevin Crockford on soprano and superb bass section). But also conductor James Watson said that this piece has a long time to go untill the "perfect performance" will be reached. By the way: I heard Sun Life band in Kerkrade at the World Music Contest. Then a piece of Jan van der Roost was the test "Stonehenge". Did you like that piece? I cannot understand why contest organisers in Great Britain allways choose pieces of British composers. There are also good composers of brassband music from abroad (f.e. Jan van der Roost, Torstein Aagaard-Nillsen). Do you know that your performance has been released on compact disc and that Sun Life appeared on the Dutch Television? Bye! eric.de.cloe@xxxxxxxxxx ---
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