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In response to J. Alexander's posting on test pieces. Firstly, my comment was simply a suggestion towards what the cyber band should play. Nigel Wears had asked for suggestions for the programme, and I made one. Whether this was an adequate reason for such a heated outburst on my personal integrity as a musician, and the musicality of brass band players on the whole, I don't know. Why on earth should we as brass band players oppose the commisioning of new test pieces? And what is the point of a test piece that doesn't test? I'm not sure exactly how much J. Alexander knows about British brass bands, but give a top section band a fourth section piece, and they'll have it ready to a winning standard within the hour. British brass bands have two modes - concert and contest. Of course, concerts are for the public. No conductor would dream of putting a major test piece on for a park job. Contests on the other hand are different altogether. The main benefits the band derives here come not from the performance itself, but the work done during the two weeks before the big day. When the day itself comes, the band plays for the adjudicators, it plays for the audience on the day however big it may be, but most importantly, it plays for itself. It may sound selfish, but that's the way it is. The list of magnificent test pieces from the last 20 years cannot be capped either. Paganini Variations, Revelation, Cloudcatcher Fells, Sounds et al. The list goes on. They should sit side by side with Pageantry, Diadem Of Gold, Journey into Freedom and Variations on a Ninth. It is this contrast of old and new that has to go on...to ensure that banding as we know it, the chosen hobby of thousands of people in this country who would be otherwise musically inactive, goes forward into the next millenium. Best wishes, -- Tim Morgan, Bass Trombone, Woolley Pritchard Sovereign Brass. -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserv@xxxxxxxxxxxxxxxxxxx
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