Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Another list of Top 10 S.A. Bands
My top ten list, based almost exclusively on recent recordings is as follows: 1) ISB 2)Enfield 2)Melbourne Staff * 4)Canadian Staff * 5)Hendon + 6)London Citadel + 7)New York Staff 8)Amsterdam Staff 9)Chicago Staff 10)Norwich Honorable Mention - Brisbane Temple (Australia) , National Capital Band (USA), Southern Territorial Band (USA). * could easily be switched + could easily be switched As previously stated my list for the most part, is based on recent recordings. I do realize that this criteria is not entirely fair. The first problem is that it immediately puts bands that have not produced a recent recording, out of contention. The exceptions are those bands with well known reputations. However, most of the bands that have good reputations, have already produced a recording or two. Still, I am sure there are quite a few good corps bands out there that I have not heard of. As a resident of Ontario, Canada the chances to hear some of the less known corps bands in the world are few and far between. (Having said that, I look forward to attending a Sunderland Monkwearmouth Band concert this spring when they tour Canada) I think the biggest problem with judging bands by their recordings is due to the "miracle of modern technology." With the help of digital editing, bands can easily eliminate and/or disguise a lot of missed notes and bad entries etc. I recognize that there is a limit to what digital editing can fix, however I believe that it certainly allows average bands to sound good and good bands to sound great! In contrast, I think recordings can also work the other way - a good band can be made to sound poor. The "sound" and performance that a band produces can be ruined by improper mic placement, inappropriate equalization & ambiance (reverb) adjustments, and/or poor venue selection. Case in point - Enfield Citadel Band's "Lord is King" CD. This disc features some really great music, and the band plays quite well. However the "sound" of the recording is distracting at times and takes away from the bands overall performance. In my opinion, the recording is quite dry. I find this to be most noticeable during "Song of Courage." The end of the piece is very well played, but the lack of resonance makes the performance sound very...abrupt...almost harsh. I think the same can be said for David Daws solo recording "I Hear the Music" - however, with David's beautiful sound, it as if he's got resonance to spare, and his extraordinary playing makes the production faults less prominent. Despite the problems I have touched on, I would have to say that since it is not possible to hear all the top SA bands live (on a regular basis), recordings are probably the next best tool for comparison. It would be interesting to see what an aggregate Top 10 list would look like. Perhaps someone would like to gather every ones top 10 lists along with other opinions etc and publish the overall results on the net. By allowing us to report and comment on recordings as well as live gigs, the top 10 would be a lot more accurate. With regards to contest bands, if I am not mistaken, Brass Band World publishes a ranking in every issue of the top 20 Championship section bands. Well that's it for now, I look forward to reading comments on my top 10 list and comparing it to others. Sincerely, Paul Alvarez -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserv@xxxxxxxxxxxxxxxxxxx
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