Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Baritone/Baritone
On Wed, 19 Feb 1997, Trond Otto Berg wrote: <snip> > saxofones), I think that the German/Norwegian naming-tradition is the > most corect, historicaly speaking. (elsewhere the brassband is the only > place without any alto-instument). > > While using the German/Norwegian tradition we got the choir-setup of > SATB (cornet, Eb Alto-horn, Bb Tenor-horn, C Euphonium) (The trombone > and the Tubas are then additional parts) But, due to the arranging > tradition in the brassbands the euph are not playing the bass-role, but > a "pavarotti"-role, and the tubas are the bass instruments. On this > background we can say that the english naming-tradition is corect, but > WHERE ARE THE ALTOS? i) In a band with 10 cornets, it would be silly to have them all on the soprano (treble would be a better term here) part (in 4 part harmony) Normally the alto part is taken by the higher 1/2 horns, 1st trombone, back row cornets (perhaps not rep) and possibly flugel ii) Consider the soprano Eb cornet, a Bb cornet is effectivly an alto cornet (nothing to do with alto trombones here!) so a Flugel is an alto horn in this scheme of things. > > -- > Trond Otto Berg > Principal > Stranda Music School, Norway -- Alastair Wheeler Euphonium, Bass Trombone Alastair.Wheeler@xxxxxxxxxxxx http://users.ox.ac.uk/~newc0349/ "I am following my fish" -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserv@xxxxxxxxxxxxxxxxxxx
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