Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Further to Alto Cornet
On Fri, 21 Feb 1997, Raymond Sturge u wrote: <snip> > I think the alto's best use is definetly in trombone ensembles and > choirs because of it's range and colour. Its use in orchestras seems to > be on an increase lately. For years, trombonists played the alto part > on their tenor because of the tenors bigger and fuller sound (solo in > Bolero - Ravel). Alto is great for music written for sakbut too. It's French composerts always wrote for TTT not ATB trombones. The Bolero solo has a range of 2 octaves from C to high Db (concert) and would be very silly on an alto. The last note would be equivalent to a low A on a peck-horn, not recommended. > use in brass bands would prove to be interesting but it produces a thin > sound and I don't think it would blend very well, being burried by the Early 19th centuary bands sometimes used ATB. There must be a reason why this died out, my guess being that the alto couldn't support the tenor in mid-range unisons very well, and was only useful for 'pinging'. This would coincide with increased melodic, rather than purely harmonic, use of the trombones. > rest of the band. Another mis-conception about playing alto trombone is > "instant high-range". This is definetly not a true statement. No, but you do get more security. You'd have to be a loony/ _extremely_good_ to play Beethovan 5 on tenor. > Mark Sturge > SA bandsman > Principal trombone - WLU Symphony Orchestra > Bass trombone - WLU Wind Ensemble > Trombone - WLU Brass Quintet > > > -- > unsubscribe or receive the list in digest form, mail a message of 'help' to > listserv@xxxxxxxxxxxxxxxxxxx > -- Alastair Wheeler Euphonium, Bass Trombone Alastair.Wheeler@xxxxxxxxxxxx http://users.ox.ac.uk/~newc0349/ "I am following my fish" -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserv@xxxxxxxxxxxxxxxxxxx
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