Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Low Tuba Notes
Adrian Drover (Brass Band List wrote: > > Hi Adrian (A.J.Raven, NZ) > > Many thanks for your follow-up to my thoughts on tubas. > > I thoroughly understand that the non-compensating instrument would produce > better tone, providing the player is able to make the appropriate slide > adjustments, though I think it needs a very skilled performer to do these left > hand gymnastics. He/she would also need just the right amount of lube on the > 1st & 3rd valve slides to operate them as 'trombone slides'; too much and they > may drop down under their own weight; a slight dent and "No Way, Jose". > > My main instrument is bass trombone, but I enjoy playing tuba as a double. My > preferred instrument is the Sovereign EEb, mainly because it is easy to switch > from bass to treble clef. Starting life as a cornettist, it is easier for me to > think in treble, even though most of my playing is now in the bass clef. > > I find it requires no super-human effort on this instrument to reach as low as > pedal G concert (7 lines below the bass clef?), but the F & E (2nd harmonics) > in the octave above need to be coaxed out gently. This is frustrating as I am > able to really let these notes rip on my bass trombone. I think the EEb > instrument could probably benefit from having a 5th valve for correcting the > tuning on these two notes, ...but then it may add to the stuffiness. > > Cheers, Adrian > -- > ____ _ _ > / \ _| (_)___ _____ ADRIAN DROVER > | () / _ | / _ \_( ___/ INNOVATIVE ORCHESTRAL SERVICES > |__/\__\___|_\___/____) http://www.argonet.co.uk/users/adios/ > mailto business: adios@xxxxxxxxxxxxx > mailto personal: bossanova@xxxxxxxxxxxxx (Glasgow, Scotland) > > -- > unsubscribe or receive the list in digest form, mail a message of 'help' to > listserver@xxxxxxxxxxxxxxxxxxx Hi Adrian. There was just a slight misunderstanding. When I mentioned the use of non-compensating tubas, it was to advocate the use of the front action style of tuba, which generally have the slides falling neatly to the left hand and pointing upwards, thereby enabling the player to lubricate them to act almost like trombone slides. The "left hand gymnastics" are normal practice for tuba players who use this style of horn and are no different to a trumpet/cornet player using triggers to pull a note to the correct pitch. The only difference is the amount of adjustment required. I hope this clarifies my point. kind regards, Adrian J. Raven -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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