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I have just received Steven Mead's THE WORLD OF EUPHONIUM, VOLUME III. While most of the works on it are new to me, there is one that is quite familiar. Ponchielli's CONCERTO PER FLICORNOBASSO is performed in the piano reduction which I made for TUBA Press. Having performances of this work already by Michael Colburn and Sverre Olsrud, this latest version by Steven is a heartening addition to the pool of interpretations which will lead all of us to appreciate and find the really excellent music which Ponchielli has written for us. I have also heard (privately) excellent performances of this work by Brian Bowman and David Werden. Each of these artists provides a peak into the possibilities which this work provides. The occasion of Steven calling me is his anticipated performance of the brass band transcription with the Fairey's (Courtois) Band under James Gourlay. Brian Bowman premiered this with the Brass Band of Columbus under Paul Droste in 1996. Having heard Gourlay as a soloist, I really look forward to his interpretation of the piece with Steven. BTW, the piano reduction which I made is designed to be "pianistic." As a result (e.g., Olsrud's performance), I have heard that accomplished pianists would like a more challenging version. The MARC REIFFT edition is just that, so I doubt that I will prepare a more challenging version in the near future. One final note, I wish to re-emphasize that the PHRASING marks in my edition are original. Ponchielli wrote for a performer who was known to him and who knew him. As a result, I chose to edit the articulations based on Ponchielli's models. He tended to supply these in only one part or occurence of a pattern. Henry Howey Professor of Music Sam Houston State University Huntsville, TX 77341 MUS_HEH@xxxxxxxx or HHowey@xxxxxxx FAX (409) 294-3765 W (409) 294-1364 H (409) 291-0626 Owner of FINALE Discussion List -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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