Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Adjudication correct?
Krismleech wrote: > > Concerning the recent area contest for the Midlands area, First Section > Contest, performing Purcell Variations... > > James Scott adjudicated the section at Nottingham, and it may seem that his > views, and resulting allocation of points, were very narrow minded. Upon > receiving our results (which coincidentally were not very pleasing, but I have > convinced myself I would claim an unfair result even if we had won) we were/I > was dismayed and fairly disgusted to learn that the only factor that Mr. Scott > was interested in was the quality and interpretation of the Allegretto > Grazioso movement, primarily featuring a beautiful horn duet. The rest of the > piece was apparently discarded in his eyes, and this, in my opinion, is a > musical blasphemy. The whole piece, no matter what piece you take as an > example, is supposed to tell a story: a musical tale; and taking one part > disjointed from the other movements is ruining this concept. > > May I say that one of the top four bands played the Andante con espress > (Cornet solo movement) with absolutely no feeling or emotion whatsoever, and > any 'musical' listener I spoke to agreed that this, and their similar > treatment of the majority of the piece, should have gained them a lowly > position. Am I wrong or is technical quality more important nowadays than a > musical quality? > > Also, I found it interesting that Langley Band changed their conductor at the > last minute, resulting in their usual conductor, who is also a cracking horn > player, sitting in the horn seat. Was this because they got word of James > Scott's judging criteria? :) > > Alan Hope, adjudicator of the 2nd Section, said that he was hoping to hear a > story told throughout the piece of Culloden Moor, and the winning band did > this. Surely this is a much more appropriate way to judge a contest than that > which James chose. Obviously adjudication will always be partly down to > personal interpretation, but if you don't even listen to 5/6ths of the piece > then you cannot even begin to judge it fairly. > > Any comments, or am I just being a sore loser? Sorry, I don't mean to be, but > it gets right on my tits when this apparently mindless judging occurs > > :) :) :) :) > > Kris Leech, Shirley Band, Birmingham, UK. > > -- > unsubscribe or receive the list in digest form, mail a message of 'help' to > listserver@xxxxxxxxxxxxxxxxxxx Same story with Mr McCann and the 1st at Basildon. He even had a running car waiting! -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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