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Re: Soprano Cornet Mouthpeice Selection

To: brass-band@xxxxxxxxxxxxxxxxxx, "Hawkes Steven" <hawkes@xxxxxxxxxxxx>
Subject: Re: Soprano Cornet Mouthpeice Selection
From: "Ima Gemendo" <zinken@xxxxxxxxxxxxxx>
Date: Sat, 04 Apr 1998 15:32:45 -0700
Organization: QUALCOMM Eudora Web-Mail (http://www.eudoramail.com:80)
Priority: low
Reply-to: brass-band@xxxxxxxxxxxxxxxxxx

No doubt you have tried the G clamp method. This method is guaranteed to cure any
overbite problems and give you a hell of a strong left arm. Chops take a pounding
but that doesn't matter, at least you're having a go.
---
Ima

>I am writing to the forum in the hope of obtaining some advice on mouthpiece selection
for Soprano players.
>
>Now I know that mouthpiece selection is personal choice. But when considerable 

>practise, over a period of one year has proven that the natural ability is not 

>there, then some technical assistance is required if I am to continue with this

>instrument.
>
>My problem is lack of an upper register.   I ( like many other Sop players I am

>sure )  dream of having the opportunity of playing Snell's, Procession to the 
>Minster at the end of a concert  and to have the piece of mind knowing that you

>do not need to drop down an octave at the end of the piece!  Come on Pete 
>Roberts, tell us mere mortals how it is done!
>
>I am hoping that through the forum I can produce a short list of mouthpeices 
>used by our top players in an effort to limit the damage to my wallet!
>
>If the forum is not the place for this type of mail then I would be happy to 
>receive mails personally and I will post the conclusions.
>
>Many thanks to Martin Erwin ( B&B )  and Craig Bennett (B&B) for their help on 

>this matter.  
>
>Thanks in advance
>
>Steve
>-----
>hawkes@xxxxxxxxxxxx   
>
>
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