Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: alternative instrument for cornet players
D4VIS wrote: >The sop could also double on a piccalo. > > This would give more scope and colour to the top end of the band. You could > also ask the trombones to double Eb alto trombone if you realy wanted to! > > I don't think this is too mad. We ask our percussion sections to play any > number of instruments. This would mean also that we still keep the older > established pieces in play, and new ones could be written to take in the newer > instrumentation. Makes a heap of sense to me. I have long held the belief that we need to be more flexible in our instrumentation. I'm not advocating massive change just for the sake of it, but I cannot help thinking that we may have discouraged some of the great composers from writing for the medium. Just imagine what composers like Shostakovich, Prokofiev, Bernstein, Copland, Britten, etc. etc. could have contributed, were there no instrumental straightjacket. (not to mention the contest piece time constraints, which almost alienated one of our own composers recently, but that's another topic for discussion!) We don't need to replace any of the parts in the band, it's a tried and trusted formula, but if a composer/arranger wishes to add another sound to the existing ensemble, (eg. Piccolo Trumpet, Alto trombone, Eb Flugelhorn, Bass Trumpet, Contrabass trombone, etc.) for the purposes of music, then he/she should be allowed to do so. At the end of the day, music should be the prime consideration and if it doesn't suit the traditionalists, then so be it. Orchestras over the years have seen the need to adapt their instrumentation depending on the wishes of the composer. The basic makeup of any orchestra remains the same, but progress and instrument technology has armed them with the ability to develop further. Without that flexibility, they would have never developed from the classical orchestra of Mozart, Haydn etc. and as a result, would probably not have survived to the present day. Imagine Mahler, Bruckner or Strauss played by a Mozartian orchestra...... Although we have seen a major increase in the sound colours available from a brass band, (thanks to Messrs. McCabe, Howarth, Wilby, etc.) I doubt that we have even scratched the surface of what is possible. It's time we gave composers a freer rein, before they, too are all dead. Cheers, Adrian J. Raven -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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