Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Enjoying Contests (long)
Cameron Mabon wrote: > P.S. In evolutionary terms, brass bands (including all facets of the > movement such as contesting, silly uniforms etc.) can probably be > regarded > as an E.S.S. (that is, an evolutionary stable strategy). The modern brass > band exists because it works (for whatever reasons - musical, social or > whatever), just as we all have eyes because they enable us to see, > and seeing is generally > a good thing to be able to do. Cameron correct me if I'm wrong (you are obviously more qualified to talk about this than I), but it appears your revision of evolution is lacking of the main mechanisms. These are variations within the species and random mutations which either survive or die based on criteria. For a bird the criteria is living healthily to reproduce. For bands the criteria seem to be producing the 'stuff' on the contest stage. Now the contest stage is generally about music, yes. But how often do you get comments from the conductor such as "let's impress the adjudicator with our glock solist, so play it a bit louder" or when deciding a tempo, it is a brave band that ignores the strict crotchet-138 marking for example. Okay, middle movements will vary from band to band, but how often will a band approach a section differently? So we have a quasi-musical environment leading to bands all with common expression. That's not what I want to hear. On a simlar vein, people's lives have changed since 1900. Music is part of life and we have seen it change a great deal as well. So why should the instrumentation stay constant? I find comments such as "it was the best way 100 years ago so it is obviously best now" rather odd in art. Survival requires flexibility and possible adaption to new environments. Don't get me wrong, I love listening to bands in a contest. But if you take away the excitement of who's better than who, the bands are generally musically all aiming for the way Black Dyke plays the piece. Because that's what'll probably win it. David -- David Read Queens' College dtr20@xxxxxxxxx Cambridge CB3 9ET -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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