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Interesting following the french horn thread - I was listening the other day to the Firebird CD - the last section (often known as the final hymn) starts in the orchestral original with a french horn. Now, the band arrangement puts the french horn part on euphonium. For me, it changes the whole feel of the music. But would that be put right by using a french horn? Possibly but there is also another solution: I don't recall having heard a french horn player with a massive vibrato - when transcribing this paricular work for euphonium, no indication was given on the score as to use of vibrato. End result is, imho, probably not what stravinsky intended and for me, it loses the magic of the original. There are a lot of differences in tone colour available to brass bands if only we would use them! As a further example, take the trombone sole "Sentimental" - the instrument itself has the ability to sound like Tommy Dorsey yet how many brass band trombone players can do this? (we should remember that many of the greats of the big band world started off in brass bands,Lusher, Baker, Watkins to name but 3). =A0=A0 Andy Wooler Resident Conductor, Uckfield Concert Brass MD The Classic Dance Band, Trumpet: Sussex Symphony Orchestra andy@xxxxxxxxxxxxxxxxxxx , http://www.awooler.demon.co.uk -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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