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Re: French Horns

Mark,
You and I agree on many things, one of them being vibrato. Vibrato is what BB
users use to cover other problems. Listen to the pro's BB players. They don't
use vib on every  note. U want tuning? don't use vib.

Norm

brassman wrote:

> Andy,
>
> I agree with you about vibrato.  It definitely takes away from the music
> and I think most musicians with a classical background would look down upon
> it.  By the way,
> I know many french horn players that use vibrarto, not that I like it. I
> wonder why the french horn part wasn't put in the tenor horn part in the
> Firebird?  Perhaps, it would sound better if there was a proficient french
> horn player available, but I would rather hear it played by a good tenor
> horn then a mediocre french horn. That's the problem.
>
> I arranged Bernstein's "On the Water Front" which also begins with french
> horn, and although I gave it to the tenor horn, it would be better
> sounding, played on the french horn.  Gershwin's "Rhapsody in Blue"
> (arranged by Keith Wilkinson) uses a tenor horn for the opening.  I
> wouldn't mind hearing the opening statement played by a traditional
> clarinet as long as he put the instrument down after the opening.
>
> Andy, I also agree with you about "I'm Getting Sentimental Over You." Brass
> band trombone players usually have no clue about playing in that (the
> correct) style, but isn't that a matter of education and desire?  Certainly
> there are enough CDs and LPs (What's that?) with players of the calibre of
> Don Lusher, Urbie Green, Frank Rosolino and Bill Watrous, but you have to
> be attracted to that style and approach and really WANT it.  I might add
> George Roberts to that list for you bass trombonists.
>
> Mark Freeh (NYC)
>
> ----------
> > From: Andy Wooler <andy@xxxxxxxxxxxxxxxxxxx>
> > To: brass-band@xxxxxxxxxxxxxxxxxx
> > Subject: French Horns
> > Date: Saturday, May 09, 1998 10:33 AM
> >
> > Interesting following the french horn thread -
> > I was listening the other day to the Firebird CD - the last section
> > (often known as the final hymn) starts in the orchestral original with a
> > french horn. Now, the band arrangement puts the french horn part on
> > euphonium. For me, it changes the whole feel of the music. But would that
> > be put right by using a french horn? Possibly but there is also another
> > solution:
> >
> > I don't recall having heard a french horn player with a massive vibrato
> > - when transcribing this paricular work for euphonium, no indication was
> > given on the score as to use of vibrato. End result is, imho, probably
> not
> > what stravinsky intended and for me, it loses the magic of the original.
> >
> >
> > There are a lot of differences in tone colour available to brass bands if
> > only we would use them!
> >
> > As a further example, take the trombone sole "Sentimental" - the
> > instrument itself has the ability to sound like Tommy Dorsey yet how many
> > brass band trombone players can do this?
> > (we should remember that many of the greats of
> > the big band world started off in brass bands, Lusher, Baker, Watkins to
> > name but 3).
> >
> >
> >
> >
> >
> > Andy Wooler
> > Resident Conductor, Uckfield Concert Brass
> > MD The Classic Dance Band, Trumpet: Sussex Symphony Orchestra
> > andy@xxxxxxxxxxxxxxxxxxx , http://www.awooler.demon.co.uk
> >
> >
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