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Re: Necessity of a 4th trombone, also baritone scoring

To: brass-band@xxxxxxxxxxxxxxxxxx
Subject: Re: Necessity of a 4th trombone, also baritone scoring
From: Tim Morgan <tim@xxxxxxxxxxxxxxxxx>
Date: Sun, 17 May 1998 12:53:34 +0100
In-reply-to: <Pine.LNX.3.96.980516180749.11515A-100000@thelonious.new.ox.ac.uk>
Priority: low
Reply-to: brass-band@xxxxxxxxxxxxxxxxxx

In message <Pine.LNX.3.96.980516180749.11515A-100000@xxxxxxxxxxxxxxxxxxx
c.uk>, Alastair Wheeler <alastair@xxxxxxxxxxxxxxxxxxxxxxx> writes
>The other trombonists should be able to vary their tones to either blend
>or provide contrast.  It is also more than possible to play a bass trom
>'nicely,' or so I have heard.

Check out Doug Yeo's CD with Dyke for confirmation of this - I've done
two of the solos from it, Proclamation and Rainy Day In Rio...one of the
comments I had after a performance of Rainy Day was, 'Wow, I didn't know
a bass trombone could sound like that!'  Not too sure if it was a
compliment or not...

Best wishes,
-- 
Tim Morgan, Bass Trombone, Woolley Pritchard Sovereign Brass.
http://www.fylde.demon.co.uk/sov/sov.htm


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References:
- Re: Necessity of a 4th trombone, also baritone scoring
  - From: Alastair Wheeler

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