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Hi Glen, You make some good points, but on the one hand you use the computer ranki= ngs as a yardstick then see fit to shoot it down. It's not worth worrying about really. It's superficial and very temporary= . It's also another example of our *cultural cringe*. Personally, i yearn for the day we don't try to copy everything the poms do in the band scene. I get the impression many bandies in this country think the poms h= ave a mortgage on innovation and creativity. Norm Glenn McGowan wrote: > COMPUTER RANKING FUNDAMENTALLY FLAWED > > The =93computer ranking=94 system regularly published in Australia=92s Band World seems > fundamentally flawed in that it does not, on any view, reflect how well= bands are > playing comparatively to each other at any time. At best it might rank= them > reasonably well within a state. The reason for this is the method of c= alculation > that forms the basis of the ranking system. One accrues more points th= e more top > bands one contests against. The problem is that bands in New South Wal= es, and > particularly Willoughby, will continue to be on the top of the scale be= cause more > top bands compete in New South Wales than anywhere else. This is perha= ps > understandable because New South Wales is the most populous State. Wil= loughby will > continue to be on the top of the ladder so long as it continues to domi= nate New > South Wales competition. In contrast, Kew, which has won every competi= tion it has > competed in for the last twelve months, is ranked 4th. (Kew has entere= d four > contests in the last twelve months, which is enough for any band in a y= ear. In > England the top bands usually compete in about four contests a year =96= the > Nationals, the Open, All England Masters and Spennymoor, and if they ar= e lucky a > fifth, namely the Europeans. Of course some may also have to compete i= n the Grand > Shield or the Regional Qualifiers.) But in Victoria there are far fewe= r bands to > compete against, in A-Grade particularly. Therefore, despite beating a= ll comers > and beating all New South Wales bands who went to the Nationals, Kew re= mains ranked > 4th. > > The ranking system for bands in Australia is artificial and completely inaccurate > because amateur banding in Australia is nothing like, say professional sport. With > professional golfers or tennis players, those players tour the world fu= ll time > competing in every competition they can to earn maximum prize money and= maximise > their rankings. Amateur bands in Australia cannot do this. Our bandin= g > arrangements are also quite different from England in that each of the major > contests named above attract roughly equal numbers of top bands. That is, every > time such a contest is held, many bands from the top 20 are almost guar= anteed to be > there. At State contents in Victoria, South Australia, Tasmania, Weste= rn Australia > and Queensland, it can be the case that no bands in the top 15 will be present and > more often only two or three bands in the top 15 will be present. In N= ew South > Wales the number can be six or seven. During the hey day of Hawthorn=92= s dominance > when they were winning multiple nationals hat tricks, they would not ha= ve been > ranked first. > > Another graphic way to illustrate this is to consider it in relation to= soloists. > If the same ranking system were applied to brass soloists in Australia then the > person at the top of the ladder, ahead of players such as Christina Bow= den, John > Saunders, Michelle Stewart and any of the other top players one cares t= o name, > would be Kew tuba player Albie Stewart =96 and by a considerable margin= . The reason > for this is that Albie has the time and means to tour Australia regular= ly competing > in almost every solo contest which is available. Few people can do thi= s. I know > Albie personally very well and I know that he would be the first to adm= it that he > is not the top brass soloist in Australia. Yet, on the same basis as t= he band > rankings, he would undoubtedly be at the very top, and by a very great margin. > > No doubt people will criticise this article by saying that I have not s= uggested a > better ranking system. One might dabble with weighting certain contest= s, like the > nationals. But then one gets into rather more subjective problems of h= ow to > weight. That is, I don=92t think a good ranking system can be created for amateur > Australian bands. I could give an indication of my view of where the b= ands should > be ranked but next week it would be different. And everyone would have= a different > view. > > The conclusion I draw is that the ranking system is completely useless in > indicating the comparative strengths of bands at any one time and I pro= pose in the > future to completely ignore the rankings. Most people in England ignor= e the > English rankings and they have a better basis for being accurate than t= he > Australian rankings do. The tyranny of distance does not operate to th= e same > extent in England as it does in Australia. > > Perhaps the only conclusion therefore which can be drawn is that a band= is only as > good as its last performance. > > GLENN MCGOWAN > > Peter Younghusband wrote: > > > Are the rankings not based over three years like England Glenn? What did Kew do > > during the other two years if so? > > > > Monkey > > > > Glenn McGowan wrote: > > > > > Kew Band (Australia) has won the Bendigo A grade competition by 13 > > > points, pushing Hawthorn into second place. This means Kew has won > > > every competition it has competed in for the last 12 months (4 > > > contests). Yet it is only ranked in the band 'computer' rankings a= s > > > 4th. This nothwithstanding a convincing win at the nationals. Com= puter > > > ranking seem a little irrelevant don't they? > > > Glenn McGowan > > > Principal cornet > > > Kew Band > > > mcgowan@xxxxxxxxxxxxx > > > > > > -- > > > njh@xxxxxxxxxxxxxxxxxxx For information about this list, including how to > > > unsubscribe or receive the list in digest form, mail a message of '= help' to > > > listserver@xxxxxxxxxxxxxxxxxxx > > > > -- > > njh@xxxxxxxxxxxxxxxxxxx For information about this list, including ho= w to > > unsubscribe or receive the list in digest form, mail a message of 'he= lp' to > > listserver@xxxxxxxxxxxxxxxxxxx > > -- > njh@xxxxxxxxxxxxxxxxxxx For information about this list, including how to > unsubscribe or receive the list in digest form, mail a message of 'help= ' to > listserver@xxxxxxxxxxxxxxxxxxx -- Norm. Music is my first love, after Jan and the billies. -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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