Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Vibrato
On Mon, 25 May 1998, Adrian Drover wrote: > On 25 May, Matt LaFontaine <mattl@xxxxxxxxxxxxxxxxxxxxxx> wrote: > > > If people wish to hear a brass choir, they will listen to one. If people > > want a brass band, they will listen to one. Just don't morph one into the > > other; then both lose their uniqueness. > > But a band that contained BOTH saxhorn brass AND orchestral brass WOULD be > unique, more unique than any established brass ensemble. I may be wrong, > but as far as I know, this has never yet been tried. It would be fun for > arrangers and maybe some people might get to like the idea. Have you ever heard the LSO brass? Eric Crees does some very good arrangments with them, and Elgar Howarths 'Pictures' is stunning. The lineup is: picc, sop, 3 tpts, flugel (other doublings at will) 4 horns + bumper 3 tbns (+ bumper) euph, 2 tubas perc (3) So giving some good contrasts in tone. Anticipating, I'd guess that Adrian would want to add a flugel and another euph :) > Symphony orchestras have been around a lot longer than brass bands, but > they are not afraid to innovate. Though I think it was pointed out that the symphony orchestra as a concept is less viable now for new music, most pieces having more varied/chamber-style orchestration. If this became the case with bands, can you imagine playing in a band where you only had to play in certain pieces, sometimes not at all in a concert? Or to maintain the social aspect of banding, being forced to play only music written (say) over a century ago? > Adrian ;-) -- Alastair Wheeler Euphonium & Trombone Fundamental Brass Bass Trombone City of Oxford Brass Band alastair@xxxxxxxxxxxxxxxxxxxxxx http://www.new.ox.ac.uk/~alastair "I am following my fish" -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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