Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] RE: Vibrato
>When you say "This is a subject wich I know something about, since I took my master deg. in music on ambochure and ambochure-building." I have to wonder. First of all, if I had earned a masters in something, I'd know how to spell it. (embouchure). (Now it's possible that it's spelled >differently on the East side of the pond). Second, the concept to "get a injury that may cause them to stop playing TOTALY for a year or so." is ludicrous. I personally know a number of professional studio brass players that double on several instruments and are top notch on each of them. I know that none of these professional players have studied the theory of EMBOUCHURE as extensively as you have. All they've done (and I count myself somewhat among them having played 35 years or so in professional orchestras, studio work and casuals) -- is achieve the highest level of performance and respect in the terrifyingly difficult world of Hollywood studios. Doubles (even among brass players) are expected. And every one of them must be tack-on perfect every time. And, no, they didn't wait until they were fully grown adults to learn their doubles. In short, the real world is not the same as the theoretical world of academia. Get a job as a professional player and write me back. Kevin Petersen Tuba - San Fernando Valley Symphony, Downey Symphony, Pierce Brass "I play loud and work cheap" KPetersen@xxxxxxxxxxxx >---------- >From: Trond Otto Berg[SMTP:trober@xxxxxxxxx] >Sent: Friday, May 22, 1998 4:12 AM >To: brass-band@xxxxxxxxxxxxxxxxxx >Subject: Re: Vibrato > >Adrian Drover wrote: > >> >> >> I agree. My son is only 15, but already has a collection of instruments >> which he has found necessary for his musical education. These include >> trumpet, cornet and flugelhorn in Bb, trumpet and cornet in Eb. > >That colection of instrumet is comarable too this: Trombone, Euph, >Eb-tenorhorn, baitone-sax, and bass-clarinet. Wold you say that if a person >played all this instrumets, that he wold be equaly good on all of them, and >equaly good on all of them copared to one "spesialist" on, lats say, euph? >There is a widly spead msiunderstanding that we cornet-player do not suffer >from changing instuments. We suffer just as much as the others. For young >players its even more dangerous. If you change instrumets, and therefore >mp's, >constantly, you will damage your ambochure, and some will even get a injury >that may cause them to stop playing TOTALY for a year or so. This is a >subject >wich I know something about, since I took my master deg. in music on >ambochure >and ambochure-building. If you want to change betveen instruments (and mp's) >youshould be at least 20years old (you must have stoped growing) and have a >rock-solid ambochure before you start. By starting this on age 15, you are >asking for trouble that may damage you for life. > >> I believe >> it is important for him to have an un-blinkered view of the music world. >> He plays in orchestras, wind bands, brass bands, big bands and percussion >> bands, and already shows signs of being a very versatile musician. > >Veratile means usable for a lot, but not real good at anything. > >> He >> plays everything from classical through jazz and pop, and loves it all. >> Brass bands in my area continually recruit college musicians who have been >> trained as trumpeters. > >You should then force them to lay the trumopt "on the shelf" as long as they >are playing in Brass Band > >> >> >> > Sorry to disagree again but for many, they are simply returning - and >> > none of us want to destroy it either. You only have to look at the >> > number of CD's being released all with swing/rock/pop/jazz etc etc on >> > them. The bands that play these effectively will often have people who >> > have worked in those idioms. People often mention Alan Morrison when >> > comparing cornet players - now there's someone who had a period playing >> > trumpet and it makes a difference - for many of us, for the better too. >> >> Adrian >> > >-- > Trond Otto Berg > Principal > Stranda Music School, Norway > > >-- >unsubscribe or receive the list in digest form, mail a message of 'help' to >listserver@xxxxxxxxxxxxxxxxxxx > -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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