Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Re: Schilke / Kanstul
Hi, John, everybody! I would disagree somewhat with John's post. I don't believe that it is so much the horn that one is playing as much as it is the approach that one takes to the music, and also to a large degree the mouthpiece choice. As a Chicago orchestra-trained trumpet player (temporarily living in California) I had to endure a period of adjustment when I joined the (then) newly formed Illinois Brass Band (as did "me mates" I suppose! ;-) ) All of us in the cornet section were trumpet players originally for the first few years as we had no one with a Salvation Army background. The result of this was that after our first venture to the NABBA championships we were declared "the best trumpet section in all of NABBA"! This, despite the fact that we were all playing cornets with "cornet" mouthpieces (mostly Bach 'pieces). After replacing our MD with an Englishman who actually knows something about how a real brass band should sound, and acquiring a fine cornetist who did grow up in the SA, we began to mellow out our sound. Along with this, we acquired a set of Besson Soveriegn cornets and Wick mouthpieces. Those of us who already had good cornets continued to use them. I obtained a real cornet mouthpiece, (a Giardinelli 1V) and experimented with it and the Bach style mouthpiece I had previously used. The difference between the two mouthpieces is tremendous! I still see too many people in the other bands using what amount to trumpet mouthpieces with cornet shanks. No wonder they stilil sound like they are playing trumpet! I feel certain that if one replaced all of the American band's mouthpieces with Wick or similar deep mouthpieces, we'd sound alot better, regardless of the actual cornet being played. We also learned to relax into the music. One thing I have been fond of saying (and my friends in the IBB will attest to this!) is: "Any idiot can play loud, but it takes skill to play soft. " Once this lesson was learned, we found that we had developed a beautiful cornet sound. (and proceeded to win championships as well!). We have played all sorts of cornets, but found that the two most important factors in the tone quality are the approach of the player, and the choice of mouthpiece. BTW: I feel that my brass band experience improved my orchestral playing tremendously as well! Just a few of my thoughts after reading this thread so far. Guy Clark principal cornet, Illinois Brass Band (on leave) etc... ---------- > From: John Aren <tbbb@xxxxxxxxxxx> > To: brass-band@xxxxxxxxxxxxxxxxxx > Subject: Re: Re: Schilke / Kanstul > Date: Monday, June 15, 1998 1:50 AM > > Isn't Kanstul a cheap Schilke? > > This is only an opinion from a Sally who grew up in a band where the use of > edge was a sin. Since those days I have spent several years with the > Illinois Brass Band and developed a keen appreciation for the fff of both > Desford and Grimethorpe. From that paradigm I offer this opinion: > > Schilke is a Chicago trumpet manufacturer who produces weapons of mass > destruction for those interested in putting to deaf all who might challenge > the brass section of a symphony orchestra. Although he offers a serious > approach to custom mouthpieces and a good discussion regarding airflow > through the lead pipe, the use of his so-called cornets (both Eb and Bb) by > trumpet players in the brass band have changed the timbre of the band > completely. Most every time I look toward a serious breech of ensemble I > will find in the hands of some sweaty, red-faced brass band convert such a > weapon. > > A good medium ground primarily for the trumpet convert is the Yamaha. My > favorite sounds are coming from the Yamaha / Wick combinations at the > moment. Which of course gives raise to what might be the primary > challenge: Getting the trumpet player (and theAmerican cornet player) to > consider a funnel cup seriously. > > Now before you all jump... I understand that a true cornet player can play > anything with a proper level of mutual respect for his bench mates. > Without that mentality well endowed in the player, the Schilke / Kanstul > militia are a dangerous lot! > > And of course, this is just my opinion. > > > Harmoniously, > John Aren > > visit us at: http://freeway.net/~tbbb > > > -- > unsubscribe or receive the list in digest form, mail a message of 'help' to > listserver@xxxxxxxxxxxxxxxxxxx -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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