Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: YBS
Martin, I sat through the whole day at the 1995 Nationals. IMHO Dyke deserved to win and YBS deserved to come 2nd. There were neater performances than YBS', but not more musical - and that must have been what the three adjudicators were looking for. So, so far as getting into the Europeans just because Dyke were the defending champions, was lucky - true. But winning it twice on the trot and beating Dyke, is unlikely to be luck. For my money, YBS has the best sound in England. B&R are hot. And I take nothing away from them. But the soloists at YBS are phenominal. (They don't get anywhere near 9k a year either!). Of course those bands on top will always be knocked. Expect it Martin! People will always say that someone was robbed. I do agree with you however that it doesn't pay to be too cocky - it only means you have further to fall. Most top musicians are very self-confident. But once they get cocky they are insufferable. However, in the time I played with YBS I didn't think anyone showed themselves to be cocky. You couldn't hope to meet a humbler guy than Morgan Griffiths. Sheona White is similarly very quiet, almost painfully shy. When Rupert Trippett was on top trombone, he also was very humble. Baldric was 'different' but not cocky. Peter Roberts has a track record second to none, so is entitled to respect. Ian Porthouse is also painfully shy. A lovely guy. David King however is an extrovert. But who can deny his talent? As for playing only for the money, I admire you guys. But who can blame top musicians for going for money if it's available? If they didn't take, others soon would. Regards, Glenn McGowan -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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