Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Warning - Never use your bass trom as a rocket launcher !!
My God! By the time everyone is through re-writing this 'joke' and adding their own to it, it will earn recognition by Guinness. Well, isn't that interesting? I'm thirsty! TTFN Gary Maxwell Bass Trombone Bakersfield Symphony Orchestra +++++++++++++++++++++++++++++++++++++++++++++++++++++++++ RMBatten@xxxxxxx wrote: > >August, 1998, Montevideo, Uruguay > > > >Paolo Esperanza, bass-trombonist with the Simphonica Mayor de > >Uruguay, in a misplaced moment of inspiration decided to make > >his own contribution to the cannon shots fired as part of the > >orchestra's performance of Tchaikovsky's 1812 Overture at an > >outdoor children's concert. In complete seriousness he placed a > >large, ignited firecracker, which was equivalent in strength to > >a quarter stick of dynamite, into his aluminum straight mute > >and then stuck the mute into the bell of his quite new Yamaha > >in-line double-valve bass trombone. > > > >Later, from his hospital bed he explained to a reporter through > >bandages on his mouth, "I thought that the bell of my trombone > >would shield me from the explosion and instead, would focus the > >energy of the blast outwards and away from me, propelling the mute > >high above the orchestra, like a rocket." > > > >However, Paolo was not up on his propulsion physics nor qualified > >to use high-powered artillery and in his haste to get the horn up > >before the firecracker went off, he failed to raise the bell of the > >horn high enough so as to give the mute enough arc to clear the > >orchestra. > > > >What actually happened should serve as a lesson to us all during > >those delirious moments of divine inspiration. First, because he > >failed to sufficiently elevate the bell of his horn, the blast > >propelled the mute between rows of players in the woodwind and viola > >sections of the orchestra, missing the players and straight into the > >stomach of the conductor, driving him off the podium and directly > >into the front row of the audience. > > > >Fortunately, the audience were sitting in folding chairs and thus > >they were protected from serious injury, for the chairs collapsed > >under them passing the energy of the impact of the flying conductor > >backwards into row of people sitting behind them, who in turn were > >driven back into the people in the row behind and so on, like a row > >of dominos. The sound of collapsing wooden chairs and grunts of > >people falling on their behinds increased logarithmically, adding > >to the overall sound of brass cannons and brass playing as > >constitutes the closing measures of the Overture. > > > >Meanwhile, all of this unplanned choreography not withstanding, > >back on stage Paolo's Waterloo was still unfolding. According to > >Paolo, "Just as the I heard the sound of the blast, time seemed to > >stand still. Everything moved in slow motion. Just before I felt > >searing pain to my mouth, I could swear I heard a voice with a > >Austrian accent say "Fur every akshon zer iz un eekvul un opposeet > >reakshon!" Well, this should come as no surprise, for Paolo had > >set himself up for a textbook demonstration of this fundamental > >law of physics. Having failed to plug the lead pipe of his > >trombone, he allowed the energy of the blast to send a super heated > >jet of gas backwards through the mouth pipe of the trombone which > >exited the mouthpiece burning his lips and face. > > > >The pyrotechnic ballet wasn't over yet. The force of the blast was > >so great it split the bell of his shiny Yamaha right down the middle, > >turning it inside out while at the same time propelling Paolo > >backwards off the riser. And for the grand finale, as Paolo fell > >backwards he lost his grip on the slide of the trombone allowing the > >pressure of the hot gases coursing through the horn to propel the > >trombone's slide like a double golden spear into the head of the > >3rd clarinetist, knocking him unconscious. > > > >The morale of the story? Be prepared to duck, the next time you hear > >someone in the low brass section yell out "Hey, everybody, watch this!" > > > ------------ > Richard Batten > Bass Trombone (though much more sensible than the one above !) > Rolls Royce (Coventry) Band > (and at the moment enjoying the hospitality of the Woods Manufacturing Brass > Band in Ottawa). > > -- > unsubscribe or receive the list in digest form, mail a message of 'help' to -- unsubscribe or receive the list in digest form, mail a message of 'help' to
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