Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Soppy arguments
Strange though it may seem, Ian KcKechnie wrote: > > > You might be right about the sop being the hardest instrument in the > > brass band (though there might be others better qualified than I am > > to disagree with that) and you might even be right about the jealousy > > bit - after all, soprano cornet parts are so easy compared with the > > average piccolo trumpet part. (And, compared with the average > > piccolo trumpet part, so badly played.........) I couldn't disagree more, Ian. Since you enjoy crass generalisation this should keep you fairly happy: 1 - Sop. players are expected to develop a much wider dynamic range than picc. players 2 - Sop. players need to use a much wider range of articulation styles than picc. players 3 - most 'difficult' picc. parts come from the baroque repertoire so comprise only notes from the harmonic series whereas sop. players sometimes have to play chromatic notes too.... 4 - I concede that picc. players need to use their fourth finger now and then... 5 - regarding your assertion that picc. parts are generally better played than to sop. parts (and I'd like some evidence to substantiate this) I'd like to refer you to every amateur performance of the Christmas Oratorio I've ever heard - they invariably sound like rather nasty railway accidents once the piccs. get stuck in... Don't dismiss this as the reply of an angry sop. player because: 1 - I'm not angry, and 2 - I've spent as much time behind a sop. as a picc. and love them both. David PS OLD JOKE: Q: What's the difference between a seamstress and a piccolo trumpet player? A: A seamstress tucks up the frills... -- unsubscribe or receive the list in digest form, mail a message of 'help' to
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