Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] G trombones and wibbleage thereof
Warning!-the following will probably only interest you if you are a completely anally retentive bass trombone freak. Well, that's half the list then...LOL Just recently I borrowed a G bass trombone from Maurice Bale in Coventry to play with our University orchestra for a performance of the Monteverdi Vespers in a few weeks. Having a play around with it really made me appreciate the difficulties of this instrument-and why it was finally discarded by bandsmen and orchestral players alike:) It's a 1920 Boosey and Co model, without a thumb valve, originally built in sharp pitch, and hence with added bits of tubing(except the slide didn't have quite enough added-7th position is about an inch off the end!), and a handle to reach the far positions(which, for me, is anything further out than a sharp 5th). The handle actually helps quite a bit on long shifts, as you can just pivot the wrist to send it zipping in and out, but really good tuning is tricky. Some of the passages historically written for G bass are suddenly ridiculously hard-one example is the fugue subject from 'Joan of Arc'(1925) by Denis Wright-a really poor piece, but it contains this (fastish) semiquaver figure which sends the bass trombone flying in and out from 7th to 1st and back again. I've tried it from memory and it's just completely impossible!-unless the trombone has a thumb valve, but I don't think that these were very popular in brass bands at that time(let me know if I'm wrong). Which, eventually, brings me to my question-what sort of level of attainment did the old G trombone players reach? Are there any solos for G trombone? Are there any recordings of G trombone solos? Does anyone have one (cheap) for sale (preferably with thumb valve)? If you've got experience of playing this beast/instrument, please could you write back with any tips on playing it as opposed to the normal Bb/F/D I play(probably about the handle, but I did have a little fright when presented with a part in alto clef:P ) thanks for making it this far through without dying of boredom, Dave Taylor University of Warwick band Rolls-Royce (Coventry) band p.s. Our section for the Vespers mentioned above is now a "proper" trombone section-Eb Alto, Bb Tenor, and G Bass. When was the last time that that happened that anyone can remember? -- unsubscribe or receive the list in digest form, mail a message of 'help' to
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