Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Marches + more twaddle
In message <2CFC47A1175@xxxxxxxxxxxxxxxxxxxxxxx>, David Lancaster <d.lancaster@xxxxxxxxxxxx> writes > >Sonata form was only defined and classified after >Beethoven's death, so he can hardly have 'taken it' - it >was a common understanding that this was how first >movements were put together, This seems to me to be a definition - even if it is informal (which is the best way to have it - defining music exactly hinders originality, as it emphasises one way in the composer's mind to the exclusion of others). >in the same way that marches have >developed a characteristic shape. But the best writers always break >the mould: consider The Cossack, Black Knight (both Rimmer), Knight >Templar and Mephistopheles - I've deliberately chosen well known ones >- and I'm sure that you'll agree that they hardly conform to your >definition of 'a string of unrelated tunes'. They're so much more >than that! I can only recall Knight Templar with any accuracy at the moment, and yes it does have thematic linkages, and the various sections complement each other nicely, making a well rounded piece, with a whole greater than the sum of it's parts. Marches like these were one of the earliest musical things that really inspired me. But there's so much rubbish about! The marches I was originally protesting about encouraging people to write were marches intended for marching to, which are (as I explained in previous postings) a completely different kettle of fish. (Odd expression, that - where does it come from?) Dave -- David Taylor --
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