Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Pedals:'Where it matters
Note:- What I have written below may be complete junk. It's just my personal theory/guess. Excuse me if I'm being a bit dense, but what I meant was that if, say, double pedal C (treble clef) is fingered 2nd valve, then surely the G a 12th higher would also. However, on tuba, the false note responding to this fingering would be an E, only a 10th higher. On Euph, it comes out as a D# (although not very cleanly). The explanation about different resistances for trombones makes sense, and can, I suppose also be applied to Euphs, which (generally) have a slightly smaller number of bends in the tube than Tubas do. Perhaps it is not that these notes are 3rd harmonics, but that they are 5th harmonics, and that the double pedals are actually 2nd harmonics. This would concur with someone I heard who mentioned that it is actually possible to hit triple pedals (!). This would then be the 1st harmonic. However these tones are so vague that the only way to tell really would be to get a physics lab to measure it. Of course, this would all have to be rather reworked if someone out there can play a quadruple pedal (not very likely, I'd say!). As further evidence, there's a point in the middle of the (single) pedal register where blowing on open (or 2nd valve as we had above) becomes easier. This would be the 3rd harmonic of the series. By the time we reach the stave, the higher (false) harmonics are too close to actual harmonics to hit easily. Perhaps what's actually happening is that any note can be expressed as an overtone of a (suitably subterranean) octave below the pedals, and can be hit using any fingering - the lower the fundamental, though, the harder the note is to hit. This is pure speculation, though (even more so than the above!), and if anybody knows it to be rubbish, please write back and tell me. It does seem to (partially) explain why the Euph note is only a D# though, and hard to hit - it would be a 19th harmonic of the quintuple pedal. For those who have been mathematically trained, this uses two methods of proof:- 1)Proof by blatant assertion; and 2)Proof by changing all the 2s to ns So, basically, it's as logically consistent as anything I've been taught over the last two-and-a-bit years. Dave Taylor Poor quality mathematician and trombonist --
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