Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Hiring & Firing
I've read the various threads that touch on this theme over the last month, and was determined not to join in. Having been mentioned by nickname in Mr Randle's well reasoned email today, now is the time. Although I have well rehearsed views on this subject, those who know me personally have heard them all before (particularly over the last 20 months) and those who don't have read references to them. All I would add (and I echo a lot of what Mr Wise had to say yesterday (we have a common bond having bluffed 'Essence of time' together on a rainy evening in Northampton for Kidlington Brass (sightreading comes no harder)some years ago) is the following points to consider when hiring and firing: i) what will the effect be on other players - brass bands are fragile social entities. Will the sacking of players lead to the premature departure of others. In certain parts of the UK (and possibly further afield) players may be plentiful, but where they are not, is the loss of players driven by the sacking of a friend a worthwhile exercise. ii) Will the new player add to the band - if the sacking replaces a Big Chap with a Nick Hudson or, for that matter, a Colin Randle (or Bruce Jones), fair enough. But when the sacked player's replacement is sacked within one year, was it worth it? iii) don't buy this nonsense that 'all the best bands hire and fire' - there is a myth that all the best Northern (UK) bands hire and fire all of the time. In my last band, a senior deluded member of the committee regularly came out with this line. Fodens won the Nationals this year (not before time) with a band that had basically been together for 3-4 years. High quality players, I know, but low turnover. Similarly Faireys have had low turnover over the last decade (had to mention them Phil, Mr Goaty, as the President of the fan club) and the core of the YBS band that has succeeded over the last few years is very stable. I appreciate that a few players have moved around this last few months but I am convinced that it doesn't change the overall rule. Players like playing with those that they know. iv) when you get a new (recently garlanded) up and coming conductor who wants a group of new players in the band (some or all of which are friends of or married to him) ask yourself, was the old band so bad before he joined. If you can honestly address all of the above, go ahead and hire and fire. We do spend a large part of any year with our bands. I hope that your new band is one with whom you wish to play/rehearse/drink/celebrate/commiserate. Big Chap Bedrock Brass --
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