Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Bb to C
I was afraid there would be more to it but I was motivated by my long memory. Again, when I was a lad I remember cornets coming equipped with an A shank which of course lengthened the receiver tubing by two or three inches in order to lower the instrument a half tone. I suppose it was presumed that all of the valve slides just required pulling out to tune the lower half tone. However, I see the error of my ways and raising the pitch one full tone would require a severe hacking job. "Solo Cornets" remarks re: Bells and Tubing thickness were interesting since I blindly thought that the only difference they made was to the mellowness or lack thereof of the instrument. The reason I thought that was because my American Euphonium by B&H has a twelve inch bell and a .620 inch tubing inside measurement as opposed to my fellow players smaller instrument measurements. I suppose my thoughts while only partially valid were only part of the over all design picture. It's a fascinating subject and tells us that there is more to a good instrument than just a hunk of pipe with valves and a bell. More important it assures us that the instrument makers 150 years ago were just as bright as their modern counterparts. Maybe more so! What will I do now? Study the situation further! Thanks all BillW --
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