Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Nerves
On Tue, 11 Jan 2000 at 19:26:55 -0000, Judith Hayes wrote: > Which brings me onto the subject (hopefully not already done to death o= n > this list...) of performance nerves. How does one stop oneself getting= the > fear?! and more to the point, once one has it, how does one stop ones hands > shaking? I can handle the dry mouth and sweaty palms (I had those too)= but > the shakes just spoil your performance. (No I hadn't had too much beer= the > night before and yes I could play it in rehearsal....) Well, I solved it. I was the contest secretary and euphonist for a band. After playing the contest piece, I suddenly realised that I'd just played a risky solo in front of a lot of people (including one who mattered :-) without really thinking about it. I was too busy worrying about whether I had the right cards and the right signatures on cards. I know I got all the notes, but I'm not sure that I put enough expression into it. On the whole, I don't think I recommend it :-) > All tips gratefully received. Practice, like anything else. I remember being terrified when I was "volunteered" to play a fanfare on stage as part of a school play. "Do you know any other trumpeters in the school?" I knew the answer to that question: but what I know now (35 years on) is that I could play it any way I like. You've got the best player available, and this is what I can do, so if you don't like what you hear... tough. After a while, one becomes quite blas=E9 about these things. I'm not sure if that's good. If you're trying to earn a living playing it's a different kettle of fish - "So-and-so wasn't very good, let's get someone else next time". But the beauty of being an amateur is that, deep down, it really doesn't matter. If you've invested all your self-esteem in playing and you're not very good, more fool you - otherwise just go for it. Ian --
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