Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Contest Music by Wilfrid Heaton
I wrote: > >PS I think the cornet cantilena over those trombone chords is pure > >magic and the cadenza is the only way it could possibly end. Can I > >claim my pint? and Tim replied: > Afraid not...you see, you used an arty-farty word which us 'laymen' > won't understand. I take it cantilena means tune? I'll buy you a > babycham instead... and I say: Done! A pint of babycham, please. And grovelling apologies if my attempt to describe Mr Heaton's fine melody with a degree of accuracy caused offence. There is, after all, only one type of melod... oops, sorry: tune. And what's a layman? > And whether it is the only possible ending or not, there is no denying > that that cornet cadenza has become a test-piece within itself. I > guarantee that at the Masters, there will be people counting or even > timing that top C sharp on a stopwatch - and then they will say things > like 'Oooh Band A only played it for 8 seconds, whereas Band B played it > for 12 - I think Band B should win...' I'm sure that you are right. Sad but true. One of the few certain things about band contests is that everyone will have their own set of criteria. > I don't deny that is beautiful music, but it is called Contest Music and > was commissioned as such...and, first and foremost, that is what it is. No. First and foremost it is music. David --
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