Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Composers
Thank you to everyone who responded to my questions regarding Punchinello and the Miners Hymn (Gresford). I am delighted to find that there are so many bandsmen familiar with Punchinello which to use the North American term is a "A kick ass" march. But is it still being played by the young squirts of today? I got the impression that British Bands no longer march judging from a few postings. If this is true, it's a shame because at one time (when I was a stripling) the local band was the pride of the village and certainly was on display at every opportunity. In my own case, I remember the annual Durham Miners Gala where the local bands led their own miners to the "big meeting". I suppose I should refrain from saying it (but I won't) but maybe there was more local pride in those days. And then, of course, the "real marches" (none of your "artsy fartsy tone poems") were played by real bandsmen who were proud to lead their local contingents. Those marches would include Punchinello, Old Comrades, The Thin Red Line, Colonel Bogey and don't forget Belphagor (Sure it's spelled wrong but it will sound just as good!). Thank you to David Williams who gave me the history of Gresford. For those of you who don't know the hymn I am truly sorry because in my opinion the majesty of it would bring tears from a stone. Please play it, it's what brass bands were all about at one time. Brass bands were not a frivolous source of entertainment for the mindless masses the way the modern so called entertainers are. Brass bands don't need to compete with the Spice Girls or their ilk but to compare them is rather like "casting pearls before swine". It would be marvelous if all artists and musicians could be paid but in this old guy's opinion money has little to do with talent and I believe that the money thing is probably a recent phenomena. Of course, I cannot speak as a guru on the entire band scene but I can say that it's folly to generalize. For instance, the few miner's bands I remember were NOT entirely supported if at all by benevolent employers but by miners welfare funds where each miner paid a few pennies every payday to support his recreational centre and band. I realise that in the South of England there were enlightened employers who probably for many reasons including paternalistic and tax write-offs did support works bands financially and indeed paid a bonus to their bandsmen. I don't personally know of any bandsman in the North who was ever paid or indeed had a "cushy" job although more than a few had better jobs because of their above intelligence and abilities in the mining field. I wonder if that spectacular cornet player Cliff Midgeley from Blackhall Colliery grew rich as a player? Probably not but we were enriched by his playing and lined up to hear him play the Post Horn Gallop on a real post horn! Did I ever make any money as a bandsman? Most certainly, it was a poor year when I didn't make half a crown or five bob on Christmas morning when our band played carols at the local pubs. I never declared it neither except to my Mum! My real rewards were in the love of music I have today and for that I thank miner's brass bands. I have lived far away from Britain for going on fifty years now but I remember with affection the bands I knew and feel in my heart I'm still part of the scene. So, all I wish of you is to stay traditional and continue to love your music whether you are paid or unpaid. Cheers, BillW --
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