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Re: Pseudonyms

To: <brass-band@xxxxxxxxxxxxxxxxxx>
Subject: Re: Pseudonyms
From: "David Lancaster" <david_lancaster@xxxxxxxxxx>
Date: Mon, 29 Jan 2001 09:13:30 -0000
References: <001001c0899a$01783d40$b15b893e@default>

> >OK, am I the only person who is intrigued?  Can anyone elaborate further?
> >
> >Shelley

> Many composers over the years have, for various reasons, written pieces
> under pseudonyms.
> Edward Gregson composed some solos as 'Robert Eaves' as he (or his
> publishers) prefered to give the impression that the name "Edward Gregson"
> was more in keeping with more "serious" works.
>
> Likewise, the Euphoniium Solo "Arabella" was written by Allan Street under
> the name of 'Barry Chester' and William Rimmer wrote many pieces as
'Sidney
> Dacre', 'Hirem Eden' or 'E. Damare' as well as a few others.
> Denis Wright also published some arrangements (noteably the march
> "Knightsbridge") by the pen-name of 'Frank Denholm'
>
> I am sure that there are a lot more than the ones I have mentioned and
list
> members may wish to add to this list.

Gordon Langford is really Gordon Coleman - his Londonderry Air was published
under his real name.

Peter Warlock (composer of the Capriol Suite) was really called Philip
Hesletine.



--

References:
- Re: Demelza - sop solo - Pseudonyms
  - From: Diane & Sandy

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