Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Vibrato
Last night after rehearsal, over a lemonade or two in the RBL, we got round to discussing the production of Vib. Quite apart from the seperate issue of how desirable it is or isnt in a Brass Band, there developed two camps. Those who think Vib is best produced from the Diaphragm, and those who think it best produced from the chops (lower mandible). Im ignoring for the moment, the opportunities afforded to the sludge-pumpers by their hardware and that has been discussed here recently. I hadnt thought about it before, but on closer inspection in my case I find it depends. Im not clear why it happens at my Chops or my diaphragm, it just appears to vary on the type of solo/exposure being played at the time. As a generalisation in last night's debate, Diaphragm supporters tended to be lower brass and chops tended to be Cornets. Im sure there are clear guidelines on this topic and I for one would be keen to hear your views. Its an area I think I ought to know more about, and given the wide views on the topic last night I guess Im not alone. As an aside, my son reckons my Jowls flap when I produce heavy vib from my chops. (Thanks Mike!) Adds to the whole visual/audial experience I reckon...<vbg> Steve Larwood, Euph Melbourne Town Band http://www.mtb-brassband.com --
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