Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Transcribing Bach
What I have noticed particularly in older transcriptions is the tendency to "over write" and make things more thickly scored than they need to be. I think this comes from the desire to give everyone "lots to play" It may be necessary to have lots of doubling of parts for lower level bands but it shouldn't be the rule for more advanced writing. Brass can be very exciting for Bach as exemplified by the German Brass recordings.( If you have a DVD player get "GErman Brass goes Bach" for a very fine rendition of Brandenburg #3 and other Bach works--simply amazing playing especially the piccolo trumpet) Because the brass band can have a homogeneous sound from BBb to Sop it is particularly well suited to transcribing Baroque and earlier works. Certainly the better bands are agile enough to play what is required. In essence the brass band is like a "consort" of instruments just as a "Consort of viols" or a "consort of recorders" ensemble would be. The key ingredient might be to lose the 19th century style of arranging that is centred on the Principal cornet, Solo Euph, Solo Horn , solo trombone with oompah for the rest. There is no reason not to use thinner textures and more varied scoring. Why score a passage for doubled Euph Bari and Trombone when 2 Baritones give the proper texture? For Bach Brandenburg #2 and other concerto grosso works you have a small group of soloists contrasted with a larger Repieno Group. If the tendency to overplay can be avoided and with jusicious scoring the result could be satisfying. JUst do not try it in F Concert at A=440. The tromba part is hard enough on Pic. In Eb concert you would need a really good sop to do it. In C concert the Sop would play in written G and the part would "play" exactly the same as it does on Bb Piccolo trumpet which except for range is very playable. In actual fact the Baroque A= 315 is closer to modern Db so C is not far off. Graham J. Young B.Mus B.Ed Hamilton Musician Services Celebration Brass gjyoung@xxxxxxxxxxxxxxxxx <mailto:gjyoung@xxxxxxxxxxxxxxxxx> 905-575-8440 -- NJH Sheet Music, bandsman.co.uk/music.htm, Prima Arts, quality music for quality bands, www.prima-arts.co.uk, Toot-Sweet, instrument repairers, www.toot-sweet.co.uk, this list, send a plain text mail to listproc@xxxxxxxxxxxxxx with the following body (not subject):
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