Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] RE: Re: TEST PIECE RECORDINGS
I think a lot of people have missed my point ,as a conductor you should have the ability to study a score and attain a mind picture of what the music is about(where did the conductors go for a recording of the latest European test ) and the list could go on and on. What I am saying is we are not in these cases of recordings etc. building a skill that will surely be lost if it is not pursued by conductors in the lower grades particularly. After rehearsing the work and using your skills then perhaps listen and compare what you found to what has been recorded. This is a big problem we also have here in Australia and perhaps it is one of the reasons that we are not producing the conductors of quality as we had in the past. Can anyone imagine Fred Mortimer, or here in Aus. Albert Baille searching frantically for, as Roy Taylor suggests the adjudicator conducting it. We can all learn something from any performance, even if its how not to play it. Ron Grice -- NJH Sheet Music, bandsman.co.uk/music.htm, Prima Arts, quality music for quality bands, www.prima-arts.co.uk, Toot-Sweet, instrument repairers, www.toot-sweet.co.uk, Free e-mail address with spam and virus removal, bandsman.co.uk/mail.htm this list, send a plain text mail to listproc@xxxxxxxxxxxxxx with the following body (not subject):
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