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Hi - My name is Colin G Dance â?? a conductor of and performer in brass bands. I am undertaking some research in order to write a dissertation for the final level of my degree course, and I need your help. Please answer the questions any way you can â?? just as long as I get the information! Please note that the questions do not necessarily represent my views. Thank you for taking the time to complete this questionnaire ACCRINGTON AND ROSSENDALE COLLEGE BA (HONS) BAND STUDIES COURSE BRITISH BRASS BANDS â?? THE PERCUSSION STORY QUESTIONNAIRE SECTION 1 â?? PLAYERS AND INTRUMENTS QUESTION 1 Please state the name, contesting region and National Contest Grading of your band (or answer â??non-contestingâ?? if appropriate): QUESTION 2 How important is percussion to your band? Very important Quite important Not essential Unimportant QUESTION 3 How many percussionists do you regularly have attending rehearsals? QUESTION 4 Do you have percussionists who only attend when required for concerts or contests, or are guests from other bands, and if so, how many? QUESTION 5 Please list which percussion instruments your band owns: QUESTION 6 Please list other percussion instruments that your band borrows or rents (if applicable): SECTION TWO â?? THE MUSIC QUESTION 7 Does the scoring for percussion have any implications for your bandâ??s choice of music purchased? QUESTION 8 Does the scoring for percussion have any impact on your bandâ??s concert repertoire? QUESTION 9 What is your viewpoint about the current trend towards scoring for three or more percussionists in some modern works? QUESTION 10 What is your viewpoint about the traditional bass drum, side drum and cymbals approach? SECTION THREE â?? CONTESTING QUESTION 11 How many times per annum does your band enter contests? QUESTION 12 Which is the most important contest that your band enters? QUESTION 13 What is your view on contest organisers supplying the major percussion instruments at contests? QUESTION 14 Is the supplying of major percussion instruments at contests common practice in your Region? QUESTION 15 What are the problems, if any that your band has in preparing contest works where there are large demands on the percussion section? QUESTION 16 Do you share the view that percussion players are not given the same level of scrutiny as brass players are by adjudicators at contests? QUESTION 17 Do you share the view that percussion parts at contests are only given full credence in the higher sections? QUESTION 18 Do you share the view that percussion should not be used at all at contests, as it only serves to detract from the music? QUESTION 19 Please offer any other views or opinions you may have about percussion as it relates to contests: SECTION FOUR â?? HISTORICAL MATTERS QUESTION 20 How long has your band been in existence? QUESTION 21 Has the issue of percussion or percussionists ever caused any difficulties not covered in earlier answers? QUESTION 22 Has promotion to higher sections in the contesting arena had any impact on percussion instruments and/or percussionists in your band? QUESTION 23 Has your band always had the same level of percussion instrumentation or has it changed over the years, and what, if any were the reasons for change? SECTION FIVE â?? THE FUTURE QUESTION 24 Does your band operate a training scheme for percussionists? QUESTION 25 Does your band have any plans to purchase major percussion instruments in the future, and if so â?? what instruments? QUESTION 26 Do you share the view that the role of percussion is too demanding in the modern brass band and that the movement should return to more traditional values? QUESTION 27 Please offer any other views or opinions you may have about the role of percussion within the brass band movement: May thanks for completing this questionnaire. Please email it to me Colin G Dance at: Ssupersop@xxxxxxx --
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