Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Adjudication correct?
Concerning the recent area contest for the Midlands area, First Section Contest, performing Purcell Variations... James Scott adjudicated the section at Nottingham, and it may seem that his views, and resulting allocation of points, were very narrow minded. Upon receiving our results (which coincidentally were not very pleasing, but I have convinced myself I would claim an unfair result even if we had won) we were/I was dismayed and fairly disgusted to learn that the only factor that Mr. Scott was interested in was the quality and interpretation of the Allegretto Grazioso movement, primarily featuring a beautiful horn duet. The rest of the piece was apparently discarded in his eyes, and this, in my opinion, is a musical blasphemy. The whole piece, no matter what piece you take as an example, is supposed to tell a story: a musical tale; and taking one part disjointed from the other movements is ruining this concept. May I say that one of the top four bands played the Andante con espress (Cornet solo movement) with absolutely no feeling or emotion whatsoever, and any 'musical' listener I spoke to agreed that this, and their similar treatment of the majority of the piece, should have gained them a lowly position. Am I wrong or is technical quality more important nowadays than a musical quality? Also, I found it interesting that Langley Band changed their conductor at the last minute, resulting in their usual conductor, who is also a cracking horn player, sitting in the horn seat. Was this because they got word of James Scott's judging criteria? :) Alan Hope, adjudicator of the 2nd Section, said that he was hoping to hear a story told throughout the piece of Culloden Moor, and the winning band did this. Surely this is a much more appropriate way to judge a contest than that which James chose. Obviously adjudication will always be partly down to personal interpretation, but if you don't even listen to 5/6ths of the piece then you cannot even begin to judge it fairly. Any comments, or am I just being a sore loser? Sorry, I don't mean to be, but it gets right on my tits when this apparently mindless judging occurs :) :) :) :) Kris Leech, Shirley Band, Birmingham, UK. -- unsubscribe or receive the list in digest form, mail a message of 'help' to listserver@xxxxxxxxxxxxxxxxxxx
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