Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: fingers & perfect pitch
Hi Nick, Firstly, speaking as a medic..... Who says it's not healthy? Skin naturally becomes hard and thickened anywhere where you repeatedly stress it. This is your skin adapting to your lifestyle. If you walk without shoes a lot the skin on your feet becomes hard and thick. This is normal. So long as the lump is not causing you discomfort, either physical or psychological, then there is nothing "unhealthy" about it. I would qualify that with a caution that if this lump is over a finger joint you could cause damage to the joint. Again however, if you are not experiencing pain you are unlikely to be doing anything too bad to yourself. If you are genuinely worried then go and have a chat with your family doctor who will be able to give you specific advice. Possible things you could try are rubbing olive oil or baby oil into the lump to soften the skin. Speaking as a cornet player......... Do you have a teacher with whom to discuss your technique? If you are developing callouses on your hand from playing do you have a particularly unorthodox way of holding your cornet? Could you try holding the cornet differently? I hope that's of some help! I'm on a roll so...........perfect pitch.........To my knowledge it's an innate ability which some unfortunate souls possess. Most advanced musicians have a degree of ability to pitch accurately 'cold', but usually this is a reflection of good relative pitching ability and good memory for note pitch. In other words, you heard a note an hour ago and retained it. True perfect pitch is picked up early in life and sticks. Unfortunately it sticks at whatever pitch you learnt, so if your parents had a flat piano your "perfect" pitch will be stuck out of tune! Another problem with true perfect pitch is that it is inflexible. If you have to play in a band which is at a different pitch to your inner perfect pitch.......you're stuffed! This can be a huge problem for example for people who want to play with period instrument ensembles which vary in pitch, I believe down as far as A=400Hz. Believing yourself to have perfect pitch can have other, more subtle effects. It can sometimes be equated to being a better musician and can lead to a false sense of superiority. I don't for a moment say that you are so afflicted, but it is something to watch. Many great musicians rely on tuning machines to standardize pitch! What matters in music with regards to pitch, and what all good musicians have is good relative pitch. I think I've waffled enough now. Gordon Lehany Cornet, Whitburn Band(& Doctor when I have to be) --
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