Some of the contents of the pages on this site are Copyright © 2016 NJH Music | [Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index] Re: Top D
Tuning is actually more problematic even than that, arising from the fundamental physics behind it. If you figure out the "correct" pitches of all the notes from a cycle of fifths, you can't get back to where you started. This is why, long ago, E flat was a note different from D sharp. To "fix" the problem, keyboards went to the well-tempered system in Bach's time, and have been there ever since. But we in the brass world can never have well-tempered instruments, because we're constrained by the fundamental physics that define the harmonics of our instruments. So if you tune your B flat horn's C to a well-tempered piano's B flat, that's the *only* note that's going to be bang in tune with the piano. Everything else is close, but not exact. Even your 3rd-harmonic G is 0.01955 semitones (um, that's a well-tempered semitone) sharper than the piano. (And while we're on the subject, what exactly *is* a semitone if a brass instrument is the reference?) Okay, forget pianos for a minute. What does this mean for the brass band? Specifically what does it mean for B flat instruments playing with E flat instruments? Well, if you tune the sop's G to the cornet's C, then any notes derived (i.e. by valve combinations) from those notes will be bang in tune with each other (though in general different from any objective reference, but we'll leave out that complication for now). After that it gets iffy, but let's cut straight to the major problem: the 5th harmonic (open) E. That E, on the cycle-of-fifths plan, should be 81/64 times the frequency of the C. This is 0.07820 semitones sharper than its well-tempered counterpart (yeah I know I said we'd forget pianos, but I had a little relapse), but it gets worse. The note you actually get with an open E is 5/4 times the frequency of the C. That's a whacking 0.215 semitones flat, compared with the E derived from the cycle-of-fifths! No wonder it sounds such a dog. Yes, yes, we can adjust the pitch with our lips (though *always* at the expense of tone, but that's a subject for another rant), and instruments have their vagaries, but basic physics causes us severe problems before we even get into those subjects. Bill Buffam - NJH Sheet Music, bandsman.co.uk/music.htm, id xpress, www.idxpress.co.uk, brass band insignia and uniform products, Just Brass, the on-line resource for the world of brass music www.justbrass.co.uk, Prima Arts, quality music for quality bands, www.prima-arts.co.uk, wax-recording.com, simply the best, most cost-effective and least stressful route to recording an album and eBay, the world's largest on-line market place, www.ebay.co.uk Free e-mail address with spam and virus removal, bandsman.co.uk/mail.htm
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