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| Date of Change | Title | Version Affected | Changes |
|---|---|---|---|
| 5/10/13 | Away In A Manger | 1.2a May 2004 | Bar 47: The solo horn part should be A natural |
| 20/6/12 | Tuba Rag | 1.2 April 2004 | Bar 72: the Eb bass low A crotchet should be a low G. |
| 3/2/12 | Cherry Ripe | 1.0 April 2004 | Bar 19: soprano and cornets' semi-breve should be slurred to the first note in bar 20 |
| 30/9/10 | Phoenix | 2.0 Aug 2007 | Bar 67: mark the end of the bad mf The euphonium "mf cresc." should now read "mp cresc." |
| 26/5/10 | Mars | 1.0 Jan 2006 | Bar 23: the score is marked 3 only, the solo
cornet part is marked 1 only.
The score is correct Bar 93: remove solo horn's semi-quavers 5, 6, 7, 8, and the last 3 semi-quavers Bar 93: remove 1st baritone's semi-quavers 9, 10, 11, 12. Semi-quaver 15 should be C# not C (and therefore semi-quaver 16 needs to have a natural sign) Bar 94: remove solo horn's semi-quavers 5, 6, 7, 8, 13, 14, 15, 16 Bar 95: remove 1st baritone's semi-quavers 1, 2, 3, 4, 13, 14 Bar 95: euphonium, the E# (semi-quaver 5) should be an F# Bar 170: euphonium, basses: should be marked f Bar 172: the last 2 semi-quavers in the top solo cornets should be G, A not A, B Bars 172-175: remove 1st baritone's last 3 semi-quavers Bars 173 and 174: remove the first 4 semi-quavers in the repiano Bars 175-177: remove repiano's first 5 and the last semi-quavers Bar 177: replace the A with a semi-quaver's rest in the lower solo cornet line Bar 177: remove solo horn's semi-quavers 2, 3, 4, 5, 10, 11, 12 |
| 17/3/10 | Fantasia for Brass Band and Organ | Bar 137, the left hand of the organ should have a quaver's rest after the dotted minim, before the 1st
demisemiquaver Bar 254: euphonium is missing beats 5 & 6, they should be the same as beats 3 & 4 |
|
| 22/8/07 | Zadok The Priest | 1.0 Jan 2000 | Bar 62: bass (choral) Gb should be Ab Bar 77: solo cornets I & II, there is a crotchet beat missing on beat two Bar 93: euphonium first note should be Eb not F. Bar 97: soprano rest beats 2 & 3 Bar 99: soprano rest beat 1 Bar 113: soprano remove the last D quaver. Figure E: mark the sop and front row cornets legato Mark all the dynamics up one level when performed without choir. |
| 21/7/07 | Smaoinich | 1.3 Dec 2001 | Fig B: The baritones should be marked legato Fig C: The euphoniums should be marked legato |
| 18/7/07 | Marching Through Georgia | 1.0b Feb 2007 | 2nd bar of B: there is a tie missing in the bass trombone part,
the rhythm should be the same as the tenor trombones Bar 41: The soloist (euphonium) should be marked mp Figure C: the cornets should all be marked brilliante Bar 53 3rd beat: add a tam-tam roll p cresc. ff into bar 54 Bar 4 of D: The semi-quaver horn lines should all be slurred Bars 70-73: The euphonium should double the bass trombone |
| 24/4/07 | Bridget's Badger | 1.1b May 2005 | From figure G to figure H, the 2nd trombone should duplicate the 1st trombone |
| 27/4/07 | Flight of the Bumble Bee | 1.2b Jan 2006 | In the soloist's part, in bar 71 the 4th note (Ab) should read A natural, and in bar 85 the 1st note (Bb) should read B natural |
| 9/6/06 | Praise to the Lord | 1.2a Apr 2004 | Bar 13: 1st horn first beat E should be F; 2nd baritone last beat A should be G |
| 1/9/06 | Departure of the Queen of Sheba | Trombone solo version | 2nd bar of F: the euphonium part should be marked à2 |
| 19/8/06 | O Little Town Of Bethlehem | v1.1 Oct 2004 | Figure C: mark the solo cornet part solo
5 bars before the end: mark the solo cornet part tutti |
| 8/6/06 | Bass Trombone Concerto | v3.1 Sept 03 | Bar 5: The 2nd cornet G should be D, the 3rd cornet D should be B |
| 10/1/06 | The Flight of the Bumble Bee | v1.1 April 99 | Bar 8: 1st baritone and euphonium, marked pp Bar 17: 1st horn, the 1st beat F should be G Bar 40: Euphonium, marked pp Bar 73: 1st horn, the 1st beat F should be G |
| 15/12/05 | Trombones on the Town | Version 1.0 March 2000 | Bar 27: The 1st baritone and euphonium parts have a sharp sign missing before the C on the run up; it should read the same as bar 26 |
| 24/7/05 | The Day Thou Gavest | Bar 84: The 1st and 2nd baritones should be marked f | |
| 14/12/04 | The Huron Carol | Version 1.0 September 2000 | Bars 1/2: add soprano in unison with the solo cornets Bars 14-22: cue the baritones into the horns Bars 23/24: accent the cornet lines Bars 25-31: drop the solo horn Bar 25: remove the indication solo on the Euphonium line Bars 34-42: cue the baritones into the horns Bar 42: flugel: add A E minims Bars 47-54: Cue 2nd baritone in 1st trombone Bar 54: Add the bottom solo cornet line to the rep Bar 72: Add the 1st trombone with the euphonium Bar 76: Accent the cornet lines and hold on for an extra beat Bar 107: Mark the cymbal hard stick Bar 124: remove the cymbal note 14) Last 2 & 1/2 bars mark rall. |
| 1/5/04 | Black Eyed Susan | Version 1.1 January 2004 | In bar 3 the Fs in the 1st baritone and lower euphonium part
should be F# In bar 4 change the solo horn dotted minim into a chrotchet followed by two crotchet rests |
| 25/3/04 | Tuba Rag | Version 1.1a June 2002 | In bar 9 raise the euphonium low Bb by an
octave In bars 13, 14, 47 and 48 the second note of the euphonium and Eb bass parts are a tone too high: change the F(C) to G(D) Added sustained trombones 2nd time through figure A and at figure C Bar 79, the 2nd note of the 2nd baritone and 2nd trombone should be A not Bb |
| 7/2/04 | The Great Gate of Kiev | In bar 21, the 1st baritone note should be C not A | |
| 31/1/04 | Tuba Rag | Version 1.1a June 2002 | In bars 19 and 44 of the Eb bass part, there
is a F that has been written an octave too low. In bars 64 and 72, the 3rd note of the euphonium part should be F, not Eb |
| 31/1/04 | The Great Gate of Kiev | In bar 91 the bottom solo cornet line differs between the part and the score (Ab), the score is correct - it should be Ab) | |
| 16/1/04 | The Ash Grove | Version 1.4 April 2003 | In bars 26 and similarly later change the rhythm from two quavers to triplet crotchet/quaver (as bar 25) |
| 14/1/04 | Black Eyed Susan | Version 1.0 August 2003 | Removed the lower euphonium octave through figure A |
| 31/7/03 | O Worship the King | Version 1.3 Mar 2003 | Deleted bars 72-79 inclusive |
| 12/3/03 | There's a Tavern | Version 2.2 Sept 2000 | Extended the cadenza |
| 23/1/03 | The Ash Grove | Version 1.3 Oct 2002 | Bars 75 and 83, the 1st horn rhythm is wrong. It should be the same as the solo horn. |
| 4/1/03 | The Great Gate of Kiev | Version 1.2 Sep 2002 | 2 bars before S: change the flugel pauses from F# and G, to C and E |
| 25/11/02 | A West Riding Christmas | Version 1.1 Nov 2001 | Figure B: add marcato Figure L: mark trombones and 1st Eb bass as f sonore; all else mark mf at bar 4 of L Last 4 bars: mark all as f Bar 176: the D minim in the soprano part should be an Eb |
| 19/11/02 | Silent Night | Version 1.2 Feb 2002 | 5 bars rest are missing from both the soprano and repiano cornet parts at bar 26 |
| 19/11/02 | Away in a Manger | Version 1.2 May 2002 | Solo cornet: slur all notes two bars before A The cornet parts are incorrectly marked st. mute, they should remain cup muted |
| 12/11/02 | The Shepherd's Farewell | Version 1.0 Oct 2000 | Changed the opening dynamic from f to mf |
| 7/10/02 | The Ash Grove | Version 1.0 Sep 2002 | The soprano part is missing a slur three bars before the end. All of the quavers should be slurred |
| 12/8/02 | The Great Gate of Kiev | Pre-Aug 2002 | 1st percussion should be percussion 1st baritone 2nd bar of E, remove the last 3 quavers. 3rd bar of E take the first A up an octave Sop 4th bar of E, remove the D minim. Figure F: mark the trombone as cup mute. Mark the euph as muted. Figure G: mark the euph as open. 2nd bar of G: change the Bb bass A to Ab, same for the next 5 occurrences. 5th bar of G mark: the trombone as open Fig H: change the bottom solo cornet note from A to Ab also bar 3 2nd bar of figure M, change the G minim to A in the Bb bass part. 5th bar of figure O: add the euph - same as 2nd baritone Throughout the timp, B should be marked as Bb Figure R: add gong in bars 2 and 3 Figure S: add gong in bars 1, 3 and 5 |
| 7/8/02 | Canon | 4 before F: mark the soprano, solo cornet, flugel, horns,
baritones, euphoniums and Eb basses as mf. Mark the quavers in those four bars as semi-staccato. |
|
| 30/7/02 | Variations on The Boar's Head Carol | Version 1.1 Jan 2001 | Bar 210-213: change the trombones: 1st trombone: minim rest, two top Eb crotchets, top G dotted minim, down to top Eb crotchet, two top F minims, then top Bb semibreve. 2nd trombone: as 1st trombone, but drop the last Bb an octave. Bass trombone: one octave below the 1st trombone. |
| 27/6/02 | Lazy Days | Version 1.1 April 2002 | Bars 22-25: Delete the soprano line. Bar 23: The bass trombone rhythm is incorrect. It is marked as crotchet followed by a quaver tied to a dotted crotchet. It should be a dotted crotchet followed by a quaver tied to a crotchet. Bars 29-31 flugel, horn and baritone parts: delete bar 29, mark bar 30 as crescendo, bar 31 should be marked mf. |
| 27/6/02 | Tuba Rag | Version 1.1 April 2002 | Bar 78: The last 5 notes of the solo and 1st horn parts are a tone too low. The bar should be F, E, F, G, A, G, A, B. |
| 22/6/02 | Praise to the Lord | Version 1.1 March 01 | Bar 10: the two Ds in the 1st trombone part should be E. Bar 49: the first two notes in the flugel part (G, A) should not be slurred. The last four quavers should be slurred in the same style as the 1st baritone. |
| 28/2/02 | Silent Night | Version 1.1 Nov 2001 | Re-released the changes made to version 1.1 on 23/12/02, which didn't seem to be reflected in all parts. |
| 17/1/02 | Variations on The Boar's Head Carol | Version 1.0 Oct 2001 | Bar 23: change the flugel, horns and baritones from a dotted
minim to a semibreve and remove the crotchet rest Figure D, change from 4/4 to 3/4. Change the minim ret in the solo cornet, solo horn, 1st baritone and Eb bass lines to a crotchet rest, and remove the crotchet rest in the euphonium line Bar 71: as bar 23 Bar 85 flugel: add the following notes to the end of the run: B, C, D, Eb Bar 112: add 2nd cornet to the repiano line Bar 116: as bar 85 Bar 130: mark the last beat as tenuto Bar 195 2nd and 3rd cornet lines, replace the rests at the end of the bar with a low G dotted crotchet |
| 3/1/02 | Mission | Version 1.0 Mar 2001 | In bar 24 the first note of the Eb bass line (an Eb crotchet)
should be an octave lower In bar 66 the first note of the Eb bass line (an F crotchet) should be an octave lower |
| 30/12/01 | Away In A Manger | Swapped the baritone lines in the 2nd verse | |
| 23/12/01 | Silent Night | Version 1.1 Nov 2001 | The glockenspiel part should be marked soft rubber mallets The opening dynamic for the glock should be mp Bar 24 sop/rep/glock, the final quaver should be sustained into the first beat of the next bar Bar 32, the glock part is a bar early, it should be in bar 31; bar 32 should be an Eb crotchet in octaves Bars 63/64, the euphonium line should be slurred (see the solo cornet part) Figure E should be marked p in the solo cornet, the other cornet lines should remain pp Bars 86 and 90, the sop and rep parts should be accented The bass drum in the next to last bar should be removed, keep the note on the last bar (ppp) |
| 6/11/01 | Silent Night | The composer's name, Franz Gruber, was missing off the score | |
| 29/10/01 | O Little Town Of Bethlehem | The mf marking is missing from the 1st baritone and
euphonium in the penultimate bar In the last bar, the euphonium should be Bb, the Eb bass should be octave Fs |
|
| 29/10/01 | O Worship the King | One bar before L, the bass trombone, euphonium and basses are now marked marcato e sostenuto |
