Turning Professional

Discussion of playing techniques. What do you think of different instruments and accessories?

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gcb_trombone
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Turning Professional

Post by gcb_trombone »

Daft question, but Im going to ask it anyway.

How do you know when you are a professional - or how do you turn professional??

Is it after so many years in music, or how good your musical knowledge is or playing??

Only reason Im asking is we all hear so much of Professional players, and I was just wondering how thye 'actually' turned professional.

Help...

Thanks
gcb_trombone
Posts: 44
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Location: Guernsey, Channel Islands

Post by gcb_trombone »

I presume no-ones replying to this as they don't know when you turn pro.
Not just because they can't b bothered.

hope its the first one.. 8)
njh
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Post by njh »

More likely because no-one here's an accountant or lawyer so they don't know the exact legal definition.

Look how fluid the definition of the word professional has become in the Olympic Games!
Nigel Horne. Arranger, Clinician, Composer, Typesetter.
NJH Music, Laurel, MD. ICQ#20252325 twitter: @nigelhorne
njh@bandsman.co.uk https://www.bandsman.co.uk
gcb_trombone
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Location: Guernsey, Channel Islands

Post by gcb_trombone »

Hmm. spose. Just curious how Doug yeo and people like him have become professional.
njh
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Post by njh »

Ask him ;-)

As well being a first rate bass trombone player, he is a very approachable guy, I'm sure he'll answer any questions.

-Nigel
Nigel Horne. Arranger, Clinician, Composer, Typesetter.
NJH Music, Laurel, MD. ICQ#20252325 twitter: @nigelhorne
njh@bandsman.co.uk https://www.bandsman.co.uk
Lloyd
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Re: Turning Professional

Post by Lloyd »

gcb_trombone wrote:Daft question, but Im going to ask it anyway.

How do you know when you are a professional - or how do you turn professional??

Is it after so many years in music, or how good your musical knowledge is or playing??

Only reason Im asking is we all hear so much of Professional players, and I was just wondering how thye 'actually' turned professional.

Help...

Thanks
OK ... let me dive in with my 2 cents worth .....

Sidestepping the playing ability and qualifications issues, I have, in my simple way, always considered that I was a professional when I earned my living from a particular occupation. In this sense I was a "professional" consultant, a "professional realtor", and, yes, in the past a "professional" musician, and also in the really dim past, a "professional" bread deliveryman! And now, after recently receiving a "sheep skin" in music there are those that say, "Ah, he's a professional now." But I earn only a very little of my income from music. Go figure!

In fact, earning money from music is a non-issue for me. I just want to share the small talent I have with as many people (players and not) as possible.

I realaize that there are many facets to being professional. And some consider that a "professional" musician must have suitable training, usually a degree or certification of some sort, although there are lots of musicians who earn(ed) their keep from music who are self taught. (Gil Evans comes to mind.)

There are also issues of deportment. A "professional" is expected to behave in a certain way, conduct themself in a "respectable" manner, and maintain their skills and knowledge to a certain level.

OK ... I hope that gives someone a cud to chew :-)

Cheers
E F Lloyd Hiscock
Composer, arranger
Solo Tenor Horn
The Maple Leaf Brass Band
Ottawa, Canada
gcb_trombone
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Location: Guernsey, Channel Islands

Post by gcb_trombone »

I'm one of those people who doesn't like all the 'graduated from .. with a ... in music...' to me, that just shows you've got a suitable knowledge of music - of the subject studied. (admitidly it does help)
I've been playing for 11 years now and I have all the knowledge I require to have fun - and all the knowledge I need.
Lloyd
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Post by Lloyd »

gcb_trombone wrote:I'm one of those people who doesn't like all the 'graduated from .. with a ... in music...' to me, that just shows you've got a suitable knowledge of music - of the subject studied. (admitidly it does help)
I've been playing for 11 years now and I have all the knowledge I require to have fun - and all the knowledge I need.

For me, getting the "sheepskin" was, in retrospect, something that began nearly 60 years ago when I started playing. Over the years I took courses, read and studied books on my own, listened to and talked to people, just to learn something new, because I was curious about "how things got that way", never with the intent of getting a "degree". The degree (last year) just kind of happened. It hasn't changed my basic thrust which is, like you, to have fun. Which I am doing. And BTW still learning! And I don't intend to stop ... professional or not!
E F Lloyd Hiscock
Composer, arranger
Solo Tenor Horn
The Maple Leaf Brass Band
Ottawa, Canada
gcb_trombone
Posts: 44
Joined: Sun Apr 17, 2005 11:14 pm
Location: Guernsey, Channel Islands

Post by gcb_trombone »

Me and my mate both play trombone and euphonium, and last saturday 13th aug, we had a 4 hour practice, and the anmount of music we played was amazing! we also sorted out a piece we are going to use for a music contest next february. we both came out of that rehersal really happy. Because we both had fun making music.
I intend on learning too. As with anything, you never stop elarning!
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